Among us pop it coloring pages4/14/2024 ![]() It is for all ages! For kids and adults, boys and girls, teenagers and toddlers, seniors, preschoolers and kids at school. Sheet, illustration, black and white picture, clipart, line art and detailed drawing. While recording songs in other languages may not be feasible for most English-speaking acts, as streaming services help develop music markets around the world, AI could come in handy for Western artists looking to reach new fans.Free Printable Among Us Pop It Coloring Page. And in May, HYBE took that a step further by employing the AI technology of Supertone, which it acquired two years earlier, to create six versions of the track “Masquerade” by MIDNATT - in Korean, English, Japanese, Chinese, Spanish and Vietnamese. While few American artists have followed Bon Jovi’s lead since, in K-pop, incorporating English into songs has become fairly standard practice, arguably leading to even greater success for those artists in North America. 4 on Billboard’s Latin Pop Airplay chart. At least in the latter case, the strategy paid off: “Como Yo Nadie Te Ha Amado” went gold in Mexico and reached No. In 1995, the band tried again, recording “Como Yo Nadie Te Ha Amado,” a Spanish-language version of the song “This Ain’t a Love Song,” as a single in Latin America. In 1992, “Bed of Roses” was re-done as “Cama de Rosas” for the Latin market. Take Jon Bon Jovi, an English-speaking guy from New Jersey who had the idea early on to tap into Spanish-speaking markets. And with music, speaking the local language can open up new opportunities. Multiple Successful Solo Careers Can Be Launched From the Same GroupĪnybody who has traveled to other countries knows that locals appreciate tourists who try to speak the language.It remains to be seen whether these experiments will bear fruit, but the model’s successful track record in Korea demonstrates its potential in the West as well. Other examples include a partnership between JYP Entertainment and UMG’s Republic Records, which formed the global girl group America2Korea (A2K), as well as a partnership between Kakao Entertainment’s Starship Entertainment imprint and Sony Music Entertainment’s Columbia Records to co-manage marketing and promotion of the girl group IVE in North America. In 2021, it was announced that Universal Music Group’s Geffen Records was launching a girl group talent search with BTS’ label, HYBE, a partnership that has since led to the six-member, U.S.-based girl pop group KATSEYE, whose development will be the subject of a forthcoming Netflix docuseries. More recently, Western music companies have begun partnering with K-pop giants to learn the ropes of that model. SM Entertainment founder Lee Soo-man was arguably the pioneer of the years-long artist development model, now common throughout K-pop, that involves recruiting and training artists through a systematic and highly disciplined process. labels can learn - and in many cases, are already learning - from K-pop, from A&R to touring to promotion and more. As HYBE CEO Jiwon Park previously told Billboard, “Combing through social media platforms like TikTok may give us a chance to sign artists who are technically proficient as music producers or performers, but we demand more from our artists.”īelow, we list a few of the lessons U.S. In the 1990s, SM Entertainment founder Lee Soo-man coined the term “cultural technology” to describe his highly disciplined system of producing and promoting K-pop on a global basis, and it wasn’t long before other Korean music agencies followed suit using similar methodologies. It’s just that sort of old-school artist development that K-pop companies have perfected over the past several decades. companies seemed to take a backseat to a habit of signing acts with TikTok-famous songs ( to diminishing returns). For American labels, they offer a window into the K-pop A&R model that has launched groups like BTS, BLACKPINK and Stray Kids to global stardom, all while traditional artist development at U.S. ![]() For Korean companies, they provide an opportunity to establish themselves in the lucrative U.S. 1 albums and Coachella headlining slots, more American music companies are taking note - and even getting into business with Korean industry giants like HYBE, JYP and SM Entertainment in deals that amount to a win-win for both parties. ![]() As K-pop acts continue to boom in popularity in the United States and beyond with sold-out stadium tours, No. ![]() As Billboard has already observed, Korean music companies are exporting more than just K-pop - they’re schooling Western labels on how to do business differently. ![]()
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